Header image  
Bethany Sound Training
 

BACK   |   HOME   | 

 
 
EQ'ing Information

 

Definition: Equalizer: “An adjustable audio filter inserted in a circuit to divide and adjust it’s frequency response, altering or distorting the relative amplitude of certain frequency ranges of an audio signal”.

Basically, it boost’s or lowers the volume of certain frequencies.

Definition: Equalization (E.Q.): “An effect that allows the frequency-selective manipulation of a signal’s amplitude. The simplest equalizers are shelving types, offering the ability to cut or boost gain above or below a given frequency. Equalization doesn’t only change the level of specific parts of the audio spectrum, it also changes the phase of the affected frequencies relative to those that aren’t being E.Q.’d i.e., E.Q. affects both the frequency response and phase relationships of a signal.”

Audio Spectrum: “The range of frequencies present in a waveform, such as an audio signal”. On the last page a diagram is given to show this spectrum.

Shelving types: shelving refers to the ability to boost or cut a certain frequency and then all the frequencies beyond that, either at the top or bottom of the spectrum (see illustrations below)

 

E.Q. Hi Shelf
E.Q. Low Shelf

Shelf Depth Refers to: the illustration below

E.Q.’ing should be your last line of defense. Microphone positioning is a better solution to frequency problems (or just finding a better sound).

For instance, next time you Mic an acoustic guitar, put your head in and around where the player is and notice how the sound changes. Up near the neck you get more of the string sounds and it’s a bit thinner. As you travel down near the sound-hole and at the tail of the guitar, high frequency falls off and you get more lows. Where your Mic is placed determines how it will sound.

Keep in mind that you’re listening in stereo, if you put one Mic up and expect it to sound like it did when you were standing by the Mic, you’ll be disappointed. Put up two Mic’s to get that fuller stereo sound. Keep the channels left and right separated or if you want bus them to a track if you like (we will go over bussing later).
Now that we have discussed some definitions of an E.Q. what types of E.Q.’s are there? There are 3 types of E.Q.’s you will most commonly find on a console.

 
1. Tone Control
 
With Tone Control, you get one control, boost and cut of a fixed frequency. You’ll see this type of E.Q. every day when you get in your car. Bass and treble control on your car radio is a basic tone control. These are most likely factory set at 10k at the top and 100Hz at the bottom.
 
2. Sweepable E.Q.
 
With a Sweepable E.Q., you get two controls; Boost and cut and a frequency sweep control. The sweep varies, but you’ll find most manufacturers cover a large section of frequencies, especially in the lower end consoles. On our TC series console we have a high frequency boost or cut at 10kHz, a Low frequency boost or cut at 80Hz and two Sweepable E.Q.’s, High-mid’s and Low-mid’s. The outer knob let’s you pick which frequency you want to boost or cut, the inner knob let’s you boost or cut the frequency you picked with the outer knob.
By the way, when you hear the term “bands” of E.Q., that is referring to how many different volume / sweep control combinations you get on a console (ours is a 4 Band E.Q. Because we have High Frequency, High-mid, Low-Mid, and Low Frequency)
 
3. Parametric E.Q.
 
With a Parametric E.Q. you get three controls, boost and cut, frequency sweep, and a “Q” control. “Q” stands for bandwidth (some consoles say “bandwidth” and not “Q”), it refers to how big of the chunk of frequency you’re affecting when you boost or cut. These are called wide or narrow “Q” (narrow is sometimes called a high “Q”). What the “Q” determines is how many frequencies around your target frequency you’re affecting. The drawing below illustrates what I’m talking about.

The Diagram Below shows the frequencies from 0 Hz to 17kHz (17,000 Hz), although the Human range of hearing stems from 0 Hz to 20,000 Hz (20kHz) it is very rare to hear past 17kHz (some people…older people…don’t hear past 14kHz) it’s simply too high.